About This Stamp
The Civil War (1861-1865), the most profound conflict in American history, claimed the lives of more than 620,000 soldiers and brought vast changes to the country. The Postal Service continues its commemoration of the 150th anniversary of the war by issuing a souvenir sheet of two stamp designs for 2013. One stamp depicts the Battle of Gettysburg, the largest battle of the war, while the other depicts the Battle of Vicksburg, a complex Union campaign to gain control of the Mississippi River. Art director Phil Jordan created the stamps using iconic images of the battles. The Battle of Gettysburg stamp is a reproduction of an 1887 chromolithograph by Thure de Thulstrup (1848-1930), a Swedish-born artist who became an illustrator for Harper’s Weekly after the Civil War. Thulstrup’s work was one of a series of popular prints commissioned in the 1880s by Boston publisher Louis Prang & Co. to commemorate the Civil War. The Battle of Vicksburg stamp is a reproduction of an 1863 lithograph by Currier & Ives titled “Admiral Porter’s Fleet Running the Rebel Blockade of the Mississippi at Vicksburg, April 16th, 1863.” The background image on the souvenir sheet is a photograph taken by Mathew Brady shortly after the Battle of Gettysburg of captured Confederate soldiers, who reportedly posed for Brady on Seminary Ridge. The souvenir sheet includes comments on the war by Abraham Lincoln, Clara Barton, Rufus R. Dawes (a Union soldier), and William Tunnard (a Confederate soldier). It also includes some of the lyrics of “Lorena,” a popular Civil War song by Henry D. L. Webster and Joseph P. Webster. The Battle of Gettysburg and Battle of Vicksburg stamps are being issued as Forever® stamps in self-adhesive souvenir sheets of 12 (6 of each design). Forever stamps are always equal in value to the current First-Class Mail® one-ounce rate.
Art Director
Phil Jordan
Phil Jordan grew up in New Bern, North Carolina, and attended East Carolina University. After Army service in Alaska, he graduated from Virginia Commonwealth University with a degree in visual communications. He worked in advertising and in design at a trade association before joining Beveridge and Associates, Inc., where he provided art direction for corporate, institutional, and government design projects. A partner in the firm, he left after 18 years to establish his own design firm where he managed projects for USAir, NASA, McGraw-Hill, IBM, and Smithsonian Books, among others. He was Design Director of Air & Space/Smithsonian magazine for 15 years. His work appeared in numerous exhibitions and publications such as Graphis and Communications Arts. A past president of the Art Directors Club of Metropolitan Washington, he was an art director for the U.S. Postal Service from 1991 to 2014. A resident of Falls Church, Virginia, he is a retired glider pilot and a member of the Skyline Soaring Club.