![](https://admin.stampsforever.com/images/5Xyf1T9vY4Qi3Hct01B9xRILoPqDXuIYckctLL3P.png?derivative_type=small)
About This Stamp
This souvenir sheet features a version of perhaps the most famous error in the history of U.S. stamps: the Inverted Jenny, a 1918 misprint that highlights the ways a single stamp can turn history upside down. The sheet includes six Inverted Jenny stamps, reprinted with an updated denomination and surrounded by an illustration that includes the National Postal Museum in Washington, D.C.; the route of the first regularly scheduled airmail service between Washington, Philadelphia, and New York; and aviation pioneer Reuben H. Fleet, who was in charge of the first group of airmail pilots. The intaglio printing plates for the new stamps were created using proofs made in 2013 from the original Inverted Jenny dies. Issued to commemorate the start of the first regular airmail service in the United States, the original Jenny stamp was designed to show a Curtiss JN-4H, or “Jenny,” the biplane used to deliver the mail. However, on May 14, 1918, the day an official notice said the stamp would debut, collector William T. Robey of Washington, D.C., purchased one sheet of 100 stamps that mistakenly showed the biplane upside down—and one of the greatest philatelic treasures in U.S history was released into the world. The art director for this souvenir sheet was Antonio Alcalá. The selvage artwork was created by Steven Noble. The Inverted Jenny stamp is being reprinted with a $2 denomination to make it easily distinguishable from the 24-cent 1918 original.
Stamp Art Director, Stamp Designer
![](https://admin.stampsforever.com/images/XbOToCpJoBYdiVCj0us9x53BIznXquiQhgVpJV4b.jpg?derivative_type=medium)
Antonio Alcalá
Antonio Alcalá served on the Postmaster General’s Citizens' Stamp Advisory Committee from 2010 until 2011, when he left to become an art director for the U.S. Postal Service's stamp development program.
He is founder and co-owner of Studio A, a design practice working with museums and arts institutions. His clients include: the National Gallery of Art, Library of Congress, National Portrait Gallery, National Museum of Women in the Arts, The Phillips Collection, and Smithsonian Institution. He also lectures at colleges including the Corcoran College of Art + Design, SVA, Pratt, and MICA.
In 2008, his work and contributions to the field of graphic design were recognized with his selection as an AIGA Fellow. He has judged international competitions for the Society of Illustrators, American Illustration, AIGA, and Graphis. Alcalá also serves on the Smithsonian National Postal Museum and Poster House Museum’s advisory councils. His designs are represented in the AIGA Design Archives, the National Postal Museum, and the Library of Congress Permanent Collection of Graphic Design.
Alcalá graduated from Yale University with a BA in history and from the Yale School of Art with an MFA in graphic design. He lives with his wife in Alexandria, Virginia.