About This Stamp
This issuance celebrates women’s rowing, a graceful but demanding sport in which American women have excelled.
Four different stamp designs are featured in a pane of 20 stamps arranged as five staggered rows of four, each row comprising two se-tenant pairs. The artwork, which covers the entire pane, is a stylized illustration of five eight-person crews on the water, apparently practicing or possibly racing. Although the rowers face left, toward the stern ends of the “shells,” they are moving toward the right. The ninth person in each shell, at the left end, is the coxswain. She is the only one facing in the direction the shell is moving, as her job is to steer. The shells are so long, they are cut off by the edges of the pane.
The sports world largely excluded women when, in 1972, Congress amended federal education law by adding Title IX, which prohibited gender-based discrimination in federally funded education, including athletics. Although some colleges and universities reacted slowly, women pressed them into opening up varsity sports and disbursing funding equitably.
The first time women rowers competed in the Olympics, in 1976, the eight-person team won bronze. It went on to win gold in 1984, the next games in which the United States participated. The women’s eight began a glorious second winning streak in 2004, attaining silver that year and gold in 2008, 2012, and 2016.
Nancy Stahl designed and illustrated the stamps and pane. Ethel Kessler was the project art director.
The Women’s Rowing stamps are being issued as Forever® stamps. These Forever stamps will always be equal in value to the current First-Class Mail® one-ounce rate.
Stamp Art Director
Ethel Kessler
Ethel Kessler is an award-winning designer and art director who has worked with corporations, museums, public and private institutions, professional service organizations, and now, the United States Postal Service.
After earning a B.F.A. in visual communications from the Maryland Institute College of Art, Kessler worked as a graphic designer and project manager for the exhibits division of the United States Information Agency. Her work was distributed internationally on subjects such as Immigration, Entrepreneurship, Renovation of American Cities, and the Bicentennial of 1976. She was also responsible for exhibits in Morocco, Botswana, and El Salvador.
In 1981, she established Kessler Design, Inc., for which she is creative director and designer. Clients have included the Clinton Government reorganization, the Smithsonian Institution, National Geographic Television, the National Park Service, and the American Institute of Architects.
She has been an art director for the U.S. Postal Service’s stamp development program for more than 25 years. As an art director for USPS, Kessler has been responsible for creating more than 500 stamp designs, including the Breast Cancer Research stamp illustrated by Whitney Sherman. Issued in 1998, the stamp is still on sale and has raised more $98 million for breast cancer research. Other Kessler projects include the popular and highly regarded Nature of America 120 stamp series, a collaboration with nationally acclaimed nature illustrator John Dawson, the 12-year Lunar New Year series with Kam Mak, the American Filmmaking: Behind the Scenes 10 stamps issued in 2003, a 2016 pane of stamps celebrating the 100th anniversary of the National Park Service, and the 2023 stamp honoring Supreme Court Associate Justice Ruth Bader Ginsburg. And many, many others.
Stamp Designer, Stamp Artist
Nancy Stahl
A native of Long Island, New York, Nancy Stahl studied art at the University of Arizona, the Art Center College of Design in Los Angeles, and the School of Visual Arts in New York City. Her career can be split nearly equally between traditional media and digitally created art. Originally working in graphite, she experimented with a variety of media before making gouache paintings her signature style. She learned to work digitally starting in 1989 and abandoned her paints a few years later. Stahl’s clients have ranged from newspapers and magazines such as The New York Times, The Wall Street Journal, TIME magazine, and Der Spiegel to corporate identity, packaging and billboards for companies such as The Disney Family Museum, Sharffen Berger chocolates, and Stonyfield Farms. Her love of craft has allowed Stahl to accept assignments as varied as creating lace for the Metropolitan Museum of Art’s Costume Institute and knitting Christmas stamp designs in 2005 for the US Postal Service®. Her work is represented in The Illustrator in America, 1860-2000 by Walt Reed and Rolling Stone: The Illustrated Portraits edited by Fred Woodward. An instructor in the Independent Study Masters Degree program at Syracuse University, Stahl has also taught illustration at the School of Visual Arts and the Fashion Institute of Technology. In 2012, She was elected to the Society of Illustrators Hall of Fame. Stahl works from her studio in New York City where in her leisure time she pursues her hobby of computerized knitting.
She has designed more than 40 stamps for the U.S. Postal Service including the New York Public Library Lion (2000), three stamps for the Stars and Stripes issuance (2015), 19th Amendment: Women Vote (2020), and most recently Women's Rowing (2022). Stahl is especially well known for her highly stylized animal stamps, including Bighorn Sheep (2007); the Save Vanishing Species semipostal (2011, reissue 2014), featuring a portrait of an Amur tiger cub; Penguins (2015); Frogs (2019); and Save Manatees (2024).